What Does Exodus 15:20 Mean in the King James?
And Miriam the prophetess, the sister of Aaron, took a timbrel in her hand; and all the women went out after her with timbrels and with dances.
The analysis reads the King James wording.
King James Version The King James Version, first published in 1611. Selah Verse shows the standard text.
THE KEY
The women’s “going out” repeats the exodus in their own bodies: those brought out now move out together, turning release into dance.
THE MEANING
Your passage out of danger can become more than the end of threat; release opens into sound, movement, and shared expression. Miriam takes up the timbrel, and the women move after her together.
WHAT THIS UNDOES
This undoes the belief that release is only private escape, with nothing left to express once danger has passed.
THE ROOT
וַתֵּצֶאןָ
wattetseʾnā
GROWS FROM
יצא
To go out, come forth, or emerge.
The women’s “went out” uses the same root as the Exodus account’s “bring out”: one names deliverance received, while the other shows it embodied and shared. Their movement is part of the going out itself, not an afterthought.
ALSO GROWS
yetsiʾah: Going out, departure.
יְצִיאָה
The word names an exit or emergence, echoing the women’s collective movement into freedom.
hotsi: To bring out or lead out; the causative form of the root.
הוֹצִיא
Exodus 12:51 uses this form for bringing Israel out of Egypt; here, the women themselves go out, carrying that movement forward.
בִּמְחֹלֹת
bimcholot
GROWS FROM
חול
To whirl or writhe; by extension, to dance or travail.
“dances” in this verse is bimcholot. The root holds dancing and travail in a shared image of turning and writhing. Here, dance is not an ornament placed on top of freedom; it is the body moving after threat loosens its hold.
ALSO GROWS
machol: A dance.
מָחוֹל
This same dance word appears in Psalm 30:11, where mourning turns into dancing.
techolel: To bring into travail or cause to writhe; to make an animal calve.
תְּחוֹלֵל
Psalm 29:9 uses this form for the LORD making the hinds calve, joining the root’s turning movement to the work of bringing forth.
THE PATTERN
When deliverance is recognized, a community answers with shared sound and movement.
And it came to pass as they came, when David was returned from the slaughter of the Philistine, that the women came out of all cities of Israel, singing and dancing, to meet king Saul, with tabrets, with joy, and with instruments of musick.Thou hast turned for me my mourning into dancing: thou hast put off my sackcloth, and girded me with gladness;Now his elder son was in the field: and as he came and drew nigh to the house, he heard musick and dancing.THE THREAD
And it came to pass the selfsame day, that the LORD did bring the children of Israel out of the land of Egypt by their armies.“Did bring out” and “went out” are forms of the same Hebrew root for going out and emerging. One names deliverance arriving; the other shows that release becoming the women’s own shared movement.
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