What Does Ezekiel 8:5 Mean in the King James?
Then said he unto me, Son of man, lift up thine eyes now the way toward the north. So I lifted up mine eyes the way toward the north, and behold northward at the gate of the altar this image of jealousy in the entry.
The analysis reads the King James wording.
King James Version The King James Version, first published in 1611. Selah Verse shows the standard text.
THE KEY
The image’s place at the altar’s entrance makes the threshold itself the evidence of a rival claim.
THE MEANING
The gaze is brought to the threshold, where an image stands in the entry and is named by the jealousy it provokes. Proximity to the altar does not settle what a presence serves; the threshold can disclose a divided claim.
WHAT THIS UNDOES
The lie that whatever stands at the entrance of the sacred must belong there.
THE ROOT
קִנְאָה
qin’ah
GROWS FROM
קנא
To be zealous or jealous; to hold an ardent claim.
English can make jealousy sound like a private feeling, but קִנְאָה names an ardent, relational claim. At the altar’s entry, the image is bound to the zeal or jealousy it provokes, so the threshold becomes a place where belonging is contested.
ALSO GROWS
qānāʾ: To be zealous or jealous.
קָנָא
The verb names the active force behind the jealousy: an ardent claim, not merely a passing feeling.
qannāʾ: Jealous, zealous.
קַנָּא
This form describes the LORD as jealous in Exodus 34:14, showing that the same root can name zeal over a bond.
THE PATTERN
What occupies the threshold of devotion reveals where allegiance is being contested.
Thou shalt have no other gods before me.Son of man, these men have set up their idols in their heart, and put the stumblingblock of their iniquity before their face: should I be enquired of at all by them?Little children, keep yourselves from idols. Amen.THE THREAD
For thou shalt worship no other god: for the LORD, whose name is Jealous, is a jealous God:The word translated “jealous” comes from the same root, קנא, as קִנְאָה in Ezekiel 8:5. That root names both the LORD’s zeal and the jealousy provoked by the image, placing the contested bond at the center of the scene.
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